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About Andrew

"We don't play music to win. We play music in order to continue playing."

A musical version of Von Neumann's Games Theory.

Andrew is a polymath whose life's work has focused on researching the complexities of human interaction through the lens of music. We humans, he says, have for millenia been musical. Distinct from all the other species on the planet we have made organised sound, through words and music, our speciality. His book "Mastering Chaos: A Musician's Guide" outlines just how significant this superpower is for us as a species.

 

We all now recognise that we live in a world of increasing chaos which is becoming more and more evident in society.  Key actors, many of them politicians, promote competition, demonisation and even war for their own selfish ends.  The promotion of division and conflict has become the 'story of our times'.  Andrew says we need to find a way to change that 'story'.

 

Mastering Chaos demonstrates just how well we humans can actually act together. The book defines a set of interactions which form a general model for us to use to 'change our current toxic story'. Andrew calls this model "The Musician's Way".  It shows how we can develop and grow our astounding gifts of collaboration and co-operation more generally across society.

 

Andrew's journey began in the late 1970s following his time at the Royal Academy of Music. Working initially as a violinist and educator in London, he played a pivotal role in pioneering music improvisation within the school curriculum. He subsequently became heavily involved with the development of the Lifemusic project, an initiative that grew to become the recognised global standard for improvisation tuition and facilitation. This early emphasis on spontaneity and collaborative creativity established the fundamental principles that would guide his work for decades to come, eventually serving as the bridge for a remarkable career transition from the classroom to the corporate boardroom.

 

In 1985, Andrew’s professional trajectory took a unique turn when he entered corporate sales for Xerox, a role that led to a distinguished tenure as an international negotiation trainer. Delivering courses across the United Kingdom, Europe, and China, he mastered what he calls the art and science of negotiation, a complex skill set he later synthesised directly with his musical roots.

 

At the turn of the millennium, he brought these worlds together by co-founding a retreat centre in Normandy, France. There, he led intensive string quartet workshops while simultaneously supporting his partner's yoga retreats, creating an environment centred on mindfulness, practice, and expression.

 

Today, Andrew resides in the Cotswolds, where he is an established violin tutor and composer. However, his core expertise lies in illuminating the hidden dynamics of human behaviour. His recently published book, Mastering Chaos: A Musician's Guide To Navigating Complexity, represents the culmination of twenty years of dedicated research.

 

Within its pages, he introduces "The Musician’s Way" model, an insightful framework that draws upon musical creativity to explain how human beings can collaborate effectively or, conversely, how interpersonal interactions can devolve into toxicity. The model achieves this clarity by giving equal weight to a vast spectrum of musical expression, ranging from highly structured classical compositions to the immediate, unscripted flow of spontaneous improvisation. By contextualising these artistic elements against the broader backdrop of human complexity, the framework reveals both the grounded, productive space of "The Musician's Way" and the subtle forces that drive relational chaos.

 

In his current creative and professional life, Andrew remains deeply committed to exploring the profound relationship between musical performance and general human behaviour. His ongoing work encompasses several distinct domains. In performance and composition, he continues to lead a string quartet while arranging specialised works specifically for bowed stringed instruments.

 

In the realm of thought leadership, he serves as the Founder and Editor of Sound Forum, an expansive platform dedicated to music improvisation and sound therapy. Furthermore, he incorporates visual storytelling into his creative output by integrating his passions for astrophotography and drone photography into his musical productions, resulting in immersive, multi-sensory experiences for his audiences.

 

Whether he is expressing himself through the strings of his violin, the pages of his written work, or his engagement as a member of The Royal Institute of Philosophy, Andrew remains steadfast in his mission to demonstrate how the foundational principles of music can help build a more productive, empathetic, and harmonious society.

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